He plays Malakoff Kowalski’s post-romantic piano suite “only in halls with chairs, where the door can close and no one is allowed in after the concert has started”. What is more suitable for this than the MIX in Berlin Kreuzberg?

At his concerts he tries to create conditions “like 1880”. He doesn’t want applause between the pieces, no video shows and no light installations, only at the end you can applaud for communicative reasons. We were able to offer him this very specific atmosphere in the old Postbank tower at the end of last year.